Gudsen Moza Air

MOZA AIR 2: How to Balance & Mini Review

Single handle motorized gimbals for interchangeable lens hybrid and DSLR cameras have come a long way over the last few years. The original MOZA AIR was really good for the smaller ILM cameras and had a great app for remote control and time-lapse. The newest gimbal from MOZA, the AIR 2, is a nice step forward in a lot of ways. It can handle much heavier payloads, uses separate axis controls rather than “modes”, impressive battery life, a new shorter pan arm which makes it easier to see the screen on your camera and quickly and smoothly go to a low shot.

In this episode, we cover how to balance your camera on the MOZA AIR 2 and do a mini review.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Links to gear used in this video:

Gudsen MOZA AIR 2 Gimbal for Interchangeable Lens Hybrid and DSLR Cameras

Blackmagic Pocket Cinema Camera 4K - I used this to record most of this episode

Aputure COB120dmkII (Amazon) - Key light in the talking head clips

Aputure Light Dome II (Amazon) - Newer version of the big soft box with faster setup and gel holder

Lupo Superpanel Full Color 30 - RGB 1x1 LED panel light

Panasonic 12-35mm F/2.8 OIS (Amazon) Lens - Used on the GH5 gimbal shots

Panasonic GH5 (Amazon) Camera - Used on the gimbal shots

Glider Pro 3 4th Axis Dual Handles by Scotty Makes Stuff - Review coming soon

Copyright 2018 by Curtis Judd

Music Copyright 2018 by Cary Judd. Used with permission.

3 Gimbals Compared: Zhiyun Crane 2, Feiyu a2000, Gudsen Moza Air

Motorized three-axis gimbals have become incredibly popular and can help add some nice movement to your video projects to help tell your story. If you’re shooting with a hybrid mirrorless or DSLR camera, you can even work with a single-handle, pistol grip style gimbal. In this episode, we compare three of the most popular gimbals for DSLR and smaller hybrid cameras.

I would have a hard time saying that one is the best. If pushed and I could only keep one, I'd probably keep the Crane 2. But the Moza is probably more innovative in terms of software (motion time-lapse) and the Feiyu is more innovative in terms of hardware (controls on both the pistol grip and dual handle).

Links to gear discussed and used to record this session:
Zhiyun-Tech Crane 2 - This is the largest payload capacity option of these three, good for larger cameras

FeiyuTech a2000 - dual-handle or single handle gimbal, good for mirrorless hybrid cameras

Gudsen Moza Air (Innovative dual-handle or single handle gimbal, good for mirrorless hybrid cameras)

This episode shot with the following:

Panasonic GH5 Hybrid Camera - my main camera for gimbals

Panasonic 12-35 f/2.8 OIS Lens - My go-to lens with the GH5

Sennheiser MKH 8050 Supercardioid Boom Microphone

Aputure C120d LED Light

Aputure Light Dome Soft Box

Blackmagic Design Ursa Mini Pro Cinema Camera - This is my main camera for corporate video work

Copyright 2017 by Curtis Judd