Sound for Video Session — Fairlight Desktop Console & Q&A

In this session, we'll have an initial look at the Blackmagic Design Fairlight Desktop console. This control surface has the potential to speed up a Fairlight workflow for those who mix videos with several channels of audio. It also has a small screen for each channel, transport, faders, and other controls. You can also connect an HDMI monitor directly to the control surface so you can see all of the settings without taking up space on your main DaVinci Resolve screen. We'll also answer your sound for video questions.​

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design Fairlight Desktop Console — B&H, Sweetwater, Amazon

- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon

- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon

- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Amazon

- Teleprompter Ikan 17" high bright — B&H

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

Automatically clean and boost your audio with Auphonic and DaVinci Resolve

In this episode we show you how to automatically mix and post process the audio for your videos. We show you HOW to export the audio mix from DaVinci Resolve, then upload it to Auphonic to automatically clean, de-noise, level, and boost your sound levels. We then insert the new, clean, audio mix back into Fairlight within DaVinci Resolve and export your final video. This is a great way to save time!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

Is There a Difference? 24-bit vs 32-bit Float Audio Recording Quality

In this episode, we critically listen to some sound samples recorded at 24-bit and 32-bit float depths to compare and contrast their respective audio qualities- and find out if there’s a serious difference between the two. Then we discuss other factors that can help you make the highest quality recordings no matter your chosen bit depth.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- RODE NT1 5th Generation Large Diaphragm Condenser Studio Microphone — B&H, Sweetwater, Amazon

- SoundDevices MixPre II Series Audio Recorders — B&H, Sweetwater, Trew Audio, Amazon

- Zoom F6 Field Recorder/Mixer — B&H, Sweetwater, Amazon

- Zoom F3 32-bit Float Audio Recorder — B&H, Sweetwater, DVEStore, Amazon

- Zoom F8n Pro 32-bit Float Audio Recorder — B&H, Sweetwater, Amazon

- SHURE SM7B Cardioid Dynamic Microphone — B&H, Sweetwater, Amazon

- SHURE SM57 Cardioid Dynamic Microphone — B&H, Sweetwater, Amazon

- DPA Microphones 4017B Shotgun Microphone — B&H, Sweetwater, Amazon

- Amaran 200x S LED light — B&H, Amazon, Aputure

- Aputure Light Dome II soft box — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Waves Clarity Vx De-reverb vs Izotope RX Elements De-reverb — remove echo from your recordings

In this week’s episode we try out Waves Clarity Vx De-reverb — a plugin to remove echo/reverb from your audio recordings.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Waves Clarity Vx De-reverb plugin — Waves

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Simple Sound in Premiere, Final Cut, or DaVinci using Accentize's DialogueEnhance2

In this week’s episode we have a look at Accentize’s DialogueEnhance 2 plugin. This multipurpose plugin can run in non-linear video editors — Premiere Pro, Final Cut, and Davinci Resolve — as well as digital audio workstations and includes everything you need to clean up audio for your videos, podcasts, and other dialogue-based projects. In this video, we walk through the DialogueEnhance feature set and explain how you might go about using each module to best clean up your dialogue sound. Let’s take a closer look!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Accentize DialogueEnhance 2 Plugin — https://www.accentize.com/dialogueenhance/ (not an affiliate link)

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

Better Sound For Video — Simple Techniques All Creators Should Learn

In this week’s episode, we cover the basic things you can do, the basic techniques, to make better sound for your videos. Yes, which microphone you use is important, but the basic techniques are critical as well. We cover the basics for recording better audio and include a bunch of links to other videos we’ve made to learn these techniques in more depth.

Learn more!

Boom your VideoMic or DEITY V-mic on a boom instead of on camera

Manage reverb with sound blankets

Loudness normalize your sound in post

EQ to remove harshness

Compress your sound to even it out and make it louder

Mixing music behind dialogue so that the dialogue is still understandable

Shotgun microphones

Podcast and streaming microphones

Pro lavalier microphones

Audio recorders

Microphones for livestream, zoom calls

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Sync Audio to Video in Resolve 18 Using Auto Sync or Manually

In this week’s episode, we demonstrate two ways to sync your separately recorded audio to video clips in DaVinci Resolve 18 for single and multicam video footage. The first method is auto sync based on sound — in this case, Resolve uses the audio recorded by the camera as a reference to sync up the audio from your separate audio recorder. If auto sync fails, and it will for some video formats in Resolve 18, we also demonstrate how to manually sync your audio clips to your video clips.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode — or that I use in my regular episodes. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design Pocket Cinema Camera 6K — B&H, DVE Store, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Sound for Video Session — Fairlight Voice Isolation & Q&A

In this week's session, we'll demo the new Voice Isolation effect in DaVinci Resolve's Fairlight 18.1 and answer your sound for video questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DaVinci Resolve Studio — B&H

- Earthworks ETHOS microphone — B&H, Sweetwater

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Panasonic GH5 camera - B&H, Amazon

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Final Cut Pro Voice Isolation Audio Noise Reduction

In this week’s episode we take a look at Voice Isolation, an audio processing effect built in to Final Cut Pro (versions 10.6.2 and later). This effect runs on a machine learning algorithm that separates dialogue from extraneous background noise, and you can adjust how intensely you want it to affect the clip you’re applying it to. In this episode we walk through what Voice Isolation is and how it works, listen to some unprocessed versus processed samples, and discuss how you might use it in your post-production workflow. Let’s take a closer listen!

Have a look at our Izotope RX Voice De-Noise tutorial for other ideas on how to reduce background noise in your dialogue recordings.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Izotope RX 10 Advanced — B&H, Sweetwater

- Waves Clarity Vx and Vx Pro — Waves

- Aputure P300C LED used as key light — Aputure, B&H, DVE Store

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft diffusion filter — B&H

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Sound for Video Session — Izotope RX Spectral Repair & Q&A

In this week's session, we demonstrate the basics of Izotope RX's spectral repair tool in a dialogue recording with mobile phone tones interrupting.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Earthworks ETHOS microphone — B&H, Sweetwater

- Epiphan Pearl Nano live stream encoder — B&H, DVE Store, Amazon

- Sound Devices MixPre II Series Recorders — B&H, Sweetwater, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Canon C200 Camera — B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO — B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer — B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor — Sweetwater, B&H

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd