Record Audio Directly into DaVinci Resolve Fairlight!
This week’s episode is a quick tutorial covering how to set up and record audio directly into DaVinci Resolve! This can help simplify your voiceover and podcast signal chain and workflow all the way from setup to post-production. First we’ll show you how to configure your system audio settings, then how to properly route your signal into audio tracks in Resolve, and finally walk through how to actually record and make the most of the controls available to you in Fairlight. Let’s see how it’s done!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- dbx 286s Mic Preamp & Channel Strip — B&H, Sweetwater, Amazon
- Universal Audio Apollo X6 Thunderbolt Audio Interface — B&H, Sweetwater, Amazon
- Mogami XLR Audio Cables — B&H
- Canare XLR Audio Cables — B&H
Some of my other studio gear:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
dbx 286s Setup for Live Stream, Podcast, and Voiceover
Looking for an easy way to get great broadcast sound in your voiceovers, podcasts, and livestreams every single time? The dbx 286s channel strip can help accomplish that. The 286 is a mic preamplifier and processing chain all in one compact hardware solution and includes such features as +60 dB of gain and +48 V phantom power, as well as a compressor, de-esser, expander/gate, and enhancer. First we’ll show you how to connect your microphone of choice to the dbx and the rest of your audio setup, and then we’ll walk through what each setting does and how to make the most of them with your voice. Let’s see how it’s done!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- dbx 286s Mic Preamp & Channel Strip — B&H, Sweetwater, Amazon
- Universal Audio Volt 276 USB Audio Interface — B&H, Sweetwater, Amazon
- SHURE KSM8 Dualdyne Vocal Mic — B&H, Sweetwater, Amazon
- SHURE SM58 Cardioid Dynamic Mic — B&H, Sweetwater, Amazon
- Mogami XLR Audio Cables — B&H
- Canare XLR Audio Cables — B&H
Some of my other studio gear:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Make better podcast and livestream sound — WTAUTOMIXER & DaVinci Resolve Fairlight
Do you find that your podcasts or livestreams, which you record with 2 or more people, sound noisy and…just not that great? The reason they sound that way is that recording with two or more microphones in the same space often results in microphone bleed and more pickup of room noise. There are a few different ways to solve this problem and get cleaner sound, but the quickest way is to use an auto mixer. In this video, we cover a VST, AU, AAX plugin automixer you can use in your DAW audio app or livestream encoder app to make much cleaner, focused sound. WTAUTOMIXER is the plugin that combines an automatic mixer, leveler, and noise gate into a single, easy-to-use plugin. Let’s take a closer look at WTAUTOMIXER in DaVinci Resolve Fairlight.
FULL DISCLOSURE — WAVETOOL gave me a free license of WTAUTOMIXER. They have not paid me further, told me what to say, and they have not reviewed this video prior to posting.
You can find WTAUTOMIXER here.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Sound for Video Session — Fairlight 19 Initial Look & Q&A
Let's take a look at the new audio features in Fairlight 19 beta which was released a couple of weeks ago. We'll also talk a bit about Dolby ATMOS in DaVinci Resolve. Then we'll answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater
- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon
- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
How To Use Your Zoom F3 as an Audio Interface
In this episode we walk you through how to set up and use your Zoom F3 recorder as an audio interface for your computer! The awesome versatility of the F3 allows you to easily record 32-bit float audio straight into a DAW or recording app on your computer, as well as monitor system sound directly from the F3. Plus, it’s super easy to set up and get recording! Let’s see how it’s done!
Note that we do NOT cover using the F3 as an audio interface for phones, tablets, or other mobile devices in this video. We’ll cover that in a separate tutorial coming soon!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Zoom F3 2-Track Field Recorder — B&H, Sweetwater, Amazon
Some of my other studio gear:
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Sound for Video Session — Revisit the DEITY THEOS & Q&A
Over the last several months, I've received several questions about audio artifacts with the DEITY THEOS wireless microphone system. Specifically, some people report that sibilant sounds create digital artifacts. Let's test that out!
Then we'll answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- DEITY THEOS wireless microphone system — B&H
- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater
- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon
- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
ZOOM F3 Quick Setup Guide
In this episode we walk you through the process of setting up your new Zoom F3 recorder straight out of the box. We cover the basics of adding memory cards and batteries, show you how to set up mics for the best sound possible, and go over a couple handy settings that will help optimize your recording workflow! Let’s see how it’s done.
Note that we do NOT cover using the F3 as an audio interface in this video. We’ll cover that in a separate tutorial coming soon!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Zoom F3 2-Track Field Recorder — B&H, Sweetwater, Amazon
Some of my other studio gear:
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Cheap vs. Expensive XLR Audio Cables: What's The Difference?
In this episode we find out if more expensive audio cables are actually better than cheaper ones. Important points to consider when choosing a cable regardless of price include the actual cabling quality as well as connector build and cable management strategy. Let’s see how it’s done!
Find SoundSpeed's channel and cable-wrapping tutorial here.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Full selection of Mogami XLR cables — B&H
- Full selection of Canare XLR cables — B&H
Some of my other studio gear:
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Sound for Video Session — DPA 4017b Shotgun Microphone & Q&A
In this session, we'll have a look and listen to the DPA 4017b shotgun microphone. This has been my primary shotgun microphone for 6 or 7 years now and still my go-to when capturing sound outdoors for most productions. We'll get you some sound samples relative to the Sennheiser MKH416, RODE NTG3, and RODE NTG5 for reference. We'll also demonstrate its off-axis response. Then we'll answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- DPA 4017b shotgun microphone with B preamp — B&H, Sweetwater, Amazon
- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater
- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon
- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Easy Video Lighting Fix: Unbleached Muslin Bounce | Curtis Judd
Here’s a quick demo showing you the difference between lighting with unbleached muslin versus bleached white bounce materials. Using muslin is an easy way to warm up and revitalize a lighting design that’s yielding asty skin tones or generally muted results– and it’s easy to DIY! Let’s see how it’s done.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Unbleached Muslin Seamless Diffusion Fabric in various sizes — B&H
- Aputure 600D Pro Daylight LED Light — Aputure, B&H, Amazon
- Aputure Spotlight Max 36º Lens Kit — Aputure, B&H
Some of my other studio gear:
- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon
- Impact Turtle-Base C-Stands — B&H, Amazon
- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon
- Aputure Light Dome III Softbox — Aputure, B&H
- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon
- Amaran Spotlight SE — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 f/2.8 lens — B&H, Amazon
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd